Girl With The Dragon Tattoo Title Sequence – Blur

Making of…

Making Of “Girl with the Dragon Tattoo” Titles from Motionographer on Vimeo.

Contact Sheet.

“Girl with the Dragon Tattoo” Contact Sheet from Motionographer on Vimeo.

Really cool title sequence from the guys at Blur Studio.
Its really cool that the studio have also released the making of video and a video contact sheet, both show how much hard and undoubtedly brilliant work on all fronts went into this amazing sequence.
It seems the guys at Blur are more known for their work on the games side of design so its cool to see them breaking into other areas…i look forward to seeing more of their titles stuff.
This is apparently an illustrative motion piece based on the mind of Lisbeth Sander…i haven’t seen the movie yet but if its as good as the title sequence then i’m gonna love it.
I love the use of liquid in this piece.
Lets not forget the wicked version of ‘Immigrant Song’ by Trent Reznor and Karen O either…awesome.

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Max Hattler – Sync


“(…) the film is based on the idea that there is an underlying unchanging synchronisation at the centre of everything; a sync that was decided at the very beginning of time. Everything follows from it, everything is ruled by it: all time, all physics, all life. And all animation.” (Max Hattler)

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Frankenstein – Fanboy Poster



This is my interpretation of what i would like to see as the poster if the original Frankenstein was re-released at cinemas.
Now…logic would say that the monster is too obvious and there is no air of mystery in it…but i beg to differ. My aim here was to turn the idea around a bit.
We know what the monster looks like, the iconic image of Boris as the monster is unforgetable, we also have a relationship with the story and how the characters made us feel.
Now, i see the real monster in this story as being Dr Frankenstein himself (which, i’m sure is what Mary intended) which is why i don’t show him in the poster, only the quote, “its alive blah blah, now i know what it feels like to be god”…and to me that is the frightening element of this film that through ‘man’s’ desire and craving to become god he has created something that will inevitably be his downfall…and i think this is what Mary was also suggesting, that man’s arrogance at wanting to control everything and elevate himself to the stature of a god leads to self destruction.
Now the other reason i painted the monster in this way is because i wanted those who had seen the film to question what it is the monster is reaching out for…is it reaching out to Kill, to save a life?, to touch life, for friendship…i chose , which was intentional, an iconic image of boris as the monster as reference for the face, as i feel that image was quite expressionless so the viewer can project his or her own emotional imagery upon it, so as to capture that…terrible innocence…like that of a child (which in many ways, at first, the monster is) innocent and emotionally driven. I also wanted the image to engage with the viewer which is why i tried to force the perspective slightly and have him almost reaching out beyond the confines of the poster to ask of those who had seen the film the very questions above and for those who have not seen it and are not aware of the story to perhaps feel a little frightened by the image.
It was hard to get the balance of these elements right but i think i managed…it seems and looks like a simple image but i thought about it a lot.
The typeface is a modern serif and in line with what i thought should be the font, i did not want a typeface that had metal and all sorts on it…it seemed wrong here.
My aim, at the beginning, just to illustrate the process, was to create a poster that was more illustrative in terms of showing certain scenes from the movie…but i thought it started to become a bit style over substance and my loyalty to both the story and the film pushed my in another direction
This design (the monster) was digitally painted.

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Megaforce – flying bike scene (what!!!)



1982
Awesome!!!!!
Oh my…this is classic…i aspire to this kind of work!!!! Haha!!!
Actually, this falls into the category of being so shit its great!!!
I think i see the guy from the warriors in there too!!!
I love the guy in the army gear and helmets face…he’s thinking exactly the same as you and i!!!
I want a silver jumpsuit just like this.

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Motor Magazine – Inspiration







Here are some beautiful illustrations for ‘Motor Magazine’ from the the 30′s . Some of these are by Jules Gotlieb who was a wonderful Art Deco Artist, some of the others i’m not sure about but all are beautiful poster/cover designs…lovely.

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In Time Poster – New Work


Poster for ‘In Time’ starring Amanda Zeyfreid and Justin Timberlake. This is a continuation of my digital painting learning curve. My attempt here was to create the kind of poster i would like to see for movies such as this as well as trying to create something that is a challenge to my Digital illustration learning curve. Everything here is digitally painted, inspired by images from the film.

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New Work – ESS Magazine Covers and other artwork


This is a few more design bits done for the online Mag EyeSeeSound. website. You’ll love it.

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Drew Struzan – Film Poster Artwork

Drew Struzan is a Legend!!! Fact!!!
We all know him for some of the great posters he’s done for films such as ‘Back to the Future’, ‘Star Wars’ and ‘Indiana Jones’ but here is some of his lesser known or seen work which i think are just as amazing…love you Drew!!!!

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New Work – Audrey Tautou Portrait

Ok…firstly, to those who do come to my page here…sorry it’s been a while since i last posted but i have been extremely busy trying to make some cash!!!!
I haven’t had a lot of time to do much personal stuff but i did manage to do this portrait above.
I’m reasonably happy with it…i think there are definitely elements that i need to work on to get my portrait work up to where i would like it to be…skin textures, hands and cloth…maybe blending techniques, but i’m getting there.
I had to do a portrait of Audrey Tautou cos she is just so bloody attractive…in a really cute way.
This portrait is based on a photograph i have seen…its not a true representation as i’m not quite that skilled as yet…i specifically worked on it at times with no reference so as to add some of my own style through any mistakes or distortion in my memory, hoping that it would at least still resemble her…i think its there, like i say there is still a lot of work i need to do on elements of my technique but i’ll get there.

Thanks for looking.

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My Work – Goldie Hawn Portrait – Digital Painting Experiment


I’ve been trying up my skills as far as digital painting recently. Thought i’d start with some portraits…i’m reasonably pleased with this one…its not entirely finished, there are some techniques i’m still learning…e.g cloth for example is a bit hard right now which is why her pink top has no depth to it as of yet. I just thought i would post up my progress as i go with each piece, hopefully adding new learned techniques as i go…so here is number 1. Goldie.

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